Nigerian Afrobeats sensation Tiwa Savage has revealed her surprising first impression of one of Mavin Records’ most popular songs, “Dorobucci.” The hit, which became an anthem across Africa and beyond, didn’t initially appeal to the singer when she first heard it. In a candid revelation, Tiwa Savage admitted that she thought “Dorobucci” was “crap” when it was played for her the first time. The superstar explained that she couldn’t see the potential of the track and felt it lacked the vibe that could make it a hit. However, after its release, the song went on to dominate charts, club playlists, and airwaves across the continent, becoming a massive success under Mavin Records, led by Don Jazzy. The track, featuring several Mavin stars including Don Jazzy, Korede Bello, Dr Sid, D’Prince, Reekado Banks, Di’Ja, and Tiwa Savage herself, became a turning point for the record label and further solidified their dominance in the Afrobeats music scene. Reflecting on her earlier thoughts, Tiwa Savage laughed about how her opinion changed after seeing the audience’s overwhelming love for the song. She acknowledged that the creative vision behind “Dorobucci” proved her wrong and taught her to trust the process and the team’s instincts. The revelation highlights how even top artists sometimes underestimate the potential of songs that go on to define eras. “Dorobucci” remains one of Mavin Records’ most iconic projects, and Tiwa’s honesty about her first impression offers fans a refreshing glimpse into the creative dynamics behind major Afrobeats hits. For many fans, “Dorobucci” not only marked a cultural moment in Afrobeats history but also showcased the collective power of collaboration and innovation that continues to shape the Nigerian music industry today.
Award-winning Nigerian singer Tiwa Savage has shared a deeply personal revelation, admitting that at the age of 44, she still hasn’t truly experienced what she considers real love. Speaking candidly during an interview with Zeze Mills, the Afrobeat star explained that the only genuine and unconditional love she has ever felt is from her son, Jamil. She reflected on her past romantic relationships and concluded that none of them were built on true love — instead, they were driven by temporary emotional highs and infatuation. “I don’t think I’ve experienced true love apart from my son,” Savage confessed. “Every time I look back at all my relationships, I’m like, nah, that wasn’t love — I was just infatuated. At the time, I thought I was in love, but in reality, I wasn’t. Even when I was married, I don’t think I experienced true love.” The singer revealed that these reflections have led her to a painful but firm conclusion — perhaps love is simply not meant for her. Despite trying repeatedly over the years, she says her search for true, lasting love has been unsuccessful. “Maybe love isn’t for me because I have tried over and over again, so maybe love isn’t for me in this lifetime,” she added. LMSINT MEDIA recalls that Tiwa Savage tied the knot with her then-manager, Tunji Balogun, popularly known as Teebillz, in 2013. Unfortunately, their marriage faced numerous challenges and eventually ended in divorce in 2018 after all reconciliation efforts failed. Their union produced one child, Jamil, who remains her greatest source of love and joy. Tiwa Savage’s honest confession has sparked conversations about the difference between love and infatuation, with many fans praising her courage for speaking openly about such a sensitive and emotional subject.
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Nigerian music superstar Tiwa Savage has made it clear that she has no plans to sign an artist under her label, citing the challenges associated with talent management. In an exclusive interview with Forbes Africa, the award-winning singer shared insights into why she prefers to support upcoming musicians through alternative means. Tiwa Savage on Why She Won’t Sign Another Artist Speaking candidly, Tiwa Savage addressed the common expectation that she should sign budding artists under her brand. However, she believes artist management comes with excessive stress. “People always ask me, ‘When are you going to sign an artist?’ Honestly, I don’t think I have the gift for it. Managing an artist is stressful… I could be asleep and suddenly wake up to find my artist trending for something unrelated to music,” she revealed. Tiwa Savage’s Vision for a Music School While she may not be keen on signing artists directly, Tiwa Savage remains dedicated to nurturing young talent. She expressed her plans to establish a music school, providing upcoming musicians with proper training before they join record labels that can genuinely support their careers. “I do have the gift to help, which is why I am working on setting up a music school. There, artists can develop their craft before signing with a label that truly understands how to promote them,” she explained. The Importance of Ownership in the African Music Industry Beyond her personal career, Tiwa Savage emphasized the need for African artists to maintain control over their creative works. She strongly advocates for ownership in the music industry, encouraging musicians to prioritize their rights over their art, publishing, and record labels. “We need to own our music, our publishing, and our labels,” she stressed. “It is essential that we take charge of telling our own stories.” Advice to Emerging Artists: Don’t Rush to the Top Tiwa Savage also offered valuable advice to up-and-coming musicians, urging them to build a solid foundation before seeking mainstream success. She warned about the pressures that come with fame, emphasizing the freedom that artists have in their early creative stages. “A lot of artists rush to the top, but once you get there, you start dealing with expectations—streams, concerts, contracts,” she noted. “In the beginning, you have the freedom to create without restrictions. Build a strong foundation, so when criticism comes, you don’t lose yourself.” Building Africa’s Music Industry Instead of Seeking Validation Abroad Tiwa Savage challenged the trend of African artists striving to break into international markets, arguing that the focus should instead be on strengthening Africa’s music industry. “Why are we always trying to break into foreign markets? We should be making our industry strong enough that others want to break into ours,” she stated. “With the right infrastructure, affordable data, and investments, we wouldn’t need validation from elsewhere.” Conclusion Tiwa Savage remains a powerhouse in the African music scene, not just for her incredible talent but for her dedication to empowering the next generation. While she may not be signing artists under her wing, her vision for a structured and sustainable music industry in Africa is undeniable. Forbes Africa Interview Billboard Music Industry Insights READ ALSO: Follow the LMSINT MEDIA channel on WhatsApp: Join Our WhatsApp Group Hear: Chat on WhatsApp Join our Telegram Chanel.
