Popular Nigerian Afrobeats artist Tiwa Savage has revealed the qualities she admires in a potential partner, jokingly stating that her ideal man resembles the British-Nigerian rapper Skepta. In a playful video circulating across social media platforms, the ‘Somebody’s Son’ hitmaker opened up about her personal preferences in a man. While making light of her dating experience, Tiwa shared that although she desires a man with traits similar to Skepta, the men approaching her don’t quite match up. “I want a guy like Skepta,” Tiwa Savage remarked humorously. “But I keep getting funny-looking men.” The singer’s comment sparked lively reactions among fans and followers online. Many praised her honesty, while others were curious if the statement hinted at any romantic interest in Skepta himself. Since her much-talked-about separation from her former husband and ex-manager, Tunji Balogun (popularly known as Teebillz), Tiwa Savage has remained relatively private about her romantic life. No confirmed relationships have been made public since the split. On the other hand, Skepta, who has also kept his love life low-key, has not been linked to any confirmed relationships following past rumors of a brief romance with international supermodel Naomi Campbell. In a separate media interaction in May, Tiwa made headlines when she commented on Nigerian men, noting that while many are generous, they often lack romantic expression. Her candid views resonated with some fans and stirred debates online. “Nigerian men can be generous, yes, but I’m looking for more,” she had said during that interview. Tiwa Savage’s recent remarks have reignited public interest in her personal life, especially as fans continue to wonder who might fit the bill of her ‘dream man.’
Popular Nollywood actor, Jim Iyke, has ignited widespread debate online after declaring that the human body is designed to consume only one meal a day. The actor referred to food as a “scam,” suggesting that society has overhyped the need for frequent meals. Although he lacks formal training in nutrition or dietary science, Jim Iyke strongly believes in his one-meal-a-day philosophy and claims that he performs more efficiently when he is not well-fed. His statement, made during an interview with Ghana’s 3FM 102.7, has triggered discussions across various platforms. “I usually eat once a day. For me, food acts more like a distraction than nourishment. Once I eat, everything seems to slow down. My energy feels clearer and more natural when I’m hungry. At times, I prefer not to let food interfere with my mindset. Eating makes me relaxed, makes me feel the day is winding down, and pushes me towards sleep,” Jim Iyke shared. He further elaborated that his body responds negatively to being full and that his subconscious mind tends to equate eating with the end of productivity. “As soon as I’ve eaten, I start to feel like I’ve achieved enough for the day. Food sends signals to my mind that I should rest, which is why I avoid eating more than once. It’s like a mental trap. I truly believe food is overrated. In fact, I’d say it’s a scam. The human system is built to eat only once daily. Moreover, what you eat matters greatly. The law of cumulative consequences will always catch up with you when you make poor dietary choices,” he concluded. However, Jim Iyke’s opinion contradicts the recommendations of nutrition experts and scientific consensus. According to research from the Harvard T.H. Chan School of Public Health, the human body thrives best on balanced and regular meals, typically comprising three main meals a day, possibly with snacks in between depending on lifestyle and health needs. Most certified nutritionists argue that consistent meal timing, nutrient variety, and portion control are critical for maintaining optimal health, metabolism, and cognitive performance. Skipping meals, especially for prolonged periods, could lead to nutrient deficiencies, hormonal imbalances, and long-term health risks, including fatigue and low immunity.
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In a remarkable show of appreciation for local musical legends, the Bariga Local Council Development Area (LCDA) has officially renamed the well-known Charly Boy Bus Stop in Lagos to Baddo Bus Stop, in recognition of Olamide Adedeji, a celebrated indigenous rapper and record label executive. The announcement was made by the Chairman of Bariga LCDA, Kolade Alabi David, during a public commissioning ceremony for multiple infrastructural developments within the council on Friday. This renaming is part of a broader initiative to pay tribute to iconic Nigerian figures who have significantly influenced culture, music, and governance. According to the chairman, the renaming of Ajidagan Street to Olamide Adedeji Baddo Street automatically results in the renaming of Charly Boy Bus Stop—an intersection previously named in honor of popular entertainer Charles Oputa, also known as Charly Boy—to Baddo Bus Stop. “Ajidagan Street will now be called Olamide Adedeji Baddo Street. That means Charly Boy bus stop will now be called Baddo Bus Stop, no more Charly Boy,” said the council chairman. This symbolic move highlights the LCDA’s efforts to immortalize cultural icons and infuse a sense of pride within the community. Olamide, often referred to as “Baddo” or “Baddo Sneh”, is widely acknowledged for his contributions to Nigeria’s music scene and for promoting indigenous sounds globally through his YBNL Nation label. Other Street Renamings Across Bariga LCDA In the same spirit of recognition, the council also announced the renaming of several other notable roads within the Bariga area. These include: These changes represent a renewed focus by Bariga LCDA to inspire a sense of cultural identity and civic pride by naming public spaces after Nigerians whose legacies have shaped the country’s creative and political landscape.
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Renowned Nigerian singer, Omawumi, has firmly refuted claims made by her colleague, Timaya, suggesting that a younger Burna Boy once asked her and fellow artist Waje to leave a recording studio due to their skepticism about his career aspirations. As reported by LMSINT MEDIA, Timaya had alleged during a December interview that Burna Boy kicked Omawumi and Waje out of the studio when they doubted his declaration that he would one day be paid to fly on private jets. In a recent conversation with Naija FM Lagos, Omawumi countered this narrative, stressing that such an incident never took place. Expressing her discontent, she stated that she was particularly disappointed in how Timaya dragged her into a story that seemed to diminish her integrity, all in the name of praising Burna Boy. In her words: “That thing no happen. What hurt me the most about it is that I have been friends with Timaya. Timaya and Burna Boy, you know, [in this music industry] we accord everyone their respect. And I’m very big on respect, that’s why I reciprocate. I don’t like talking down on my colleagues. That’s how I built my brand.” She further expressed annoyance at Timaya for dragging her into an anecdote that she deemed unnecessary and baseless. “First of all, my irritation is that Timaya was trying to make a point about Burna Boy, why involve me? Why did he bring my name into it? Also, this same Timaya has been in a lot of embarrassing situations that I would never bring to the public just because I want to promote my music. Even Burna Boy has never said such things. Whenever he sees us, he respects us.” Omawumi criticized the negative publicity the false story brought her, emphasizing that it undermines her almost two-decade career. “So, why did Timaya feel he could say such? He wants to tarnish the reputation of my brand that I’ve worked to build for almost 20 years because negative news trends more than good news. Now, when people want to talk about me, they would reference his claim that I was thrown out of the studio. I felt so irritated.” She emphasized that she doesn’t care whether the story was told in a positive or negative context—her name should have never been part of it. “I don’t care whether he said it in a good or bad light. Why did he involved me in the first place? That incident never happened. For context, the only time I have been in the same space with Burna Boy, Waje and Timaya was in 2010 when Waje hosted us while she was recording a song with Burna Boy. And I left them there because it was getting late. So, I don’t know when the incident of Burna Boy ordering I and Waje out of studio happened.”
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Popular Nigerian rapper Blaqbonez has opened up about his sudden and noticeable weight loss, which recently raised eyebrows across social media platforms. The rapper, known for his hit single Go Crazy, found himself at the center of online discussions after he posted recent photos on X (formerly Twitter). The pictures quickly went viral, with fans expressing concern over what appeared to be a drastic transformation in his physique. Among the many reactions, one particular fan bluntly commented, “You’re dieing bro,” highlighting the widespread worry over his thin appearance. In response, Blaqbonez did not hesitate to clarify the reason behind his dramatic weight loss. According to the rapper, his loss of weight is not related to illness or stress, but rather due to his limited diet while traveling abroad. He explained that he has a strong preference for Nigerian food, and this dietary limitation becomes a challenge whenever he is outside the country. This has made it difficult for him to maintain his usual eating habits while overseas. In his words, “My problem is I only like Nigerian food, so whenever I leave the country I struggle to eat.” Blaqbonez further revealed that he has spent nearly two months abroad, during which he’s been diligently working on final touches for his upcoming studio album. Due to this intense work schedule and the difficulty in finding his preferred meals, he has been eating far less than usual. Despite the concern, the rapper reassured his followers that the situation is under control and that he plans to regain weight soon. He stated, “I [have] been on the road for almost 2 months, barely eating, cos I want to give u guys the best album experience ever. I’d add some weight soon. No Excuses.” While his candid revelation may have calmed fears, it also sheds light on the challenges Nigerian celebrities often face when working abroad—especially when cultural dietary preferences interfere with basic routines like eating. Fans of Blaqbonez can take comfort in knowing that his health isn’t compromised and that he’s fully focused on delivering a solid music project in the near future.
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Popular Nigerian street-hop musician, Habeeb Olalomi Badmus, widely recognized by his stage name Portable, has taken his dispute with outspoken social media personality Verydarkman to a spiritual level by visiting a traditional shrine for intervention. This bold action comes on the heels of a diss track dropped by Verydarkman, in which he accused the Zazuu crooner of being involved in theft and boldly branded him with the Yoruba term “Ole”, meaning thief. The conflict escalated after Verydarkman reportedly released a video that allegedly connected Portable to a tricycle theft incident, triggering widespread reactions and controversy online. In response to the viral clip, both Portable and Verydarkman engaged in a flurry of verbal exchanges and music diss tracks, using their social platforms to call each other out and escalate the already tense feud. Following these events, Portable reportedly took legal steps by submitting a formal petition to the Nigerian Police, demanding the arrest of Verydarkman for what he claims to be defamation of character and cyberbullying. But in a surprising twist just days after filing the police report, another video began circulating on the internet. The footage showed Portable visiting a traditional spiritual shrine, apparently seeking spiritual justice over the accusations made against him. In the viral clip, the controversial singer was seen appealing to a native doctor, lamenting that Verydarkman and certain individuals had severely tarnished his name and brand by labeling him a thief in public forums. Portable, who is known for his unpredictable behavior and street appeal, appeared visibly disturbed in the shrine video as he called for spiritual retribution against those he believes are behind the smear campaign. This saga highlights the continued interplay between online influence, music rivalries, and cultural beliefs in Nigeria’s entertainment industry. As Portable turns to traditional methods for justice while also involving law enforcement, it remains unclear how the matter will unfold or whether further legal or spiritual escalations will follow.
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Award-winning Nigerian music sensation Temilade Openiyi, professionally known as Tems, has achieved a groundbreaking milestone by becoming the highest-selling female African artist of all time. Since officially stepping into the music scene in 2018, Tems has consistently captivated the global audience with her soulful voice, unique sound, and genre-blending style. According to verified music chart tracking data, she has now outpaced iconic African female artists such as Angelique Kidjo, Tiwa Savage, and Yemi Alade in terms of global commercial success. Over 25 Million Records Sold Worldwide As of the most recent global sales reports, the Grammy Award-winning artist has amassed over 25 million certified units sold across various countries. This includes her solo projects as well as notable international collaborations. Tems’ standout contributions to music have earned her several prestigious certifications, especially in the United States, including: Beyond the U.S., she also holds numerous Platinum and Gold certifications in major music markets such as: This record-breaking feat places her in a league of her own and highlights the growing global acceptance and dominance of Afro-fusion and Afrobeats music, especially from Nigerian artists. Comparison With Other Top African Musicians While Tems has earned the title of Africa’s most successful female artist in terms of sales, Cheb Khaled from Algeria still holds the overall title for the highest-selling African musician, with over 81 million units sold globally. He is closely followed by Nigerian Afrobeats icon Wizkid, who has recorded an impressive 75 million units in global sales. These figures underscore the exponential growth of African music on the world stage, with artists like Tems breaking through boundaries that were once considered unattainable for talents from the continent.
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Omah Lay’s associate under the same label, Kaestyle, has asserted that Muyiwa Awoniyi, the former manager of the ‘Soso’ hitmaker, was actually fired — contradicting Awoniyi’s social media claims of a peaceful separation. According to a previous report by LMSINT MEDIA, Muyiwa Awoniyi disclosed through a post on X (formerly Twitter) that he was no longer serving as the manager for Omah Lay after several years of collaboration. Not long after that announcement, Kaestyle, who is both a collaborator and fellow artist under the same record label, posted a cryptic but suggestive remark. He wrote: “Dem sack you, you say I’m no longer… lol always quick to go on social media.” This subtle jab didn’t go unnoticed. Awoniyi responded by implying that Kaestyle’s post was directed at him. He went further to clarify that his role as Omah Lay’s manager was motivated by a mission — to help the artist escape what he described as a restrictive contract under their label, KeyQaad, which still houses Kaestyle. Awoniyi elaborated that after successfully freeing Omah Lay from the unfavorable contract, he stepped away from managing him. He then accused Kaestyle of remaining in the same allegedly exploitative situation, stating: “I agreed to manage Omah to get him out of the very slave deal that you signed. Now he is out, I also am out. You on the other hand are a slave.” Despite the tension, Omah Lay expressed deep appreciation for Awoniyi’s contributions to his career. In a heartfelt message on X, the artist wrote: “@IAmDonawon The most intelligent ngga I’ve met so far in the game, love you forever my blood.”* Awoniyi replied warmly, writing: “Love you my brother. Clarity of mind is on the way now finally!” In a follow-up post, Awoniyi revealed that Omah Lay had finalized plans to exit KeyQaad and had already set up his own label, reportedly called ‘Boy Alone’. As of now, Omah Lay has not publicly confirmed either his departure from KeyQaad or the launch of his personal imprint. You’ve reached the maximum length for this conversation, but you can keep talking by starting a new chat. Retry
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Former BBNaija Season 9 contestant, Nelly Mbonu, has openly expressed disapproval over the participation of fellow housemates, Ozee and Ocee Mbadiwe, popularly known as the Mbadiwe Twins, stating they lacked merit for inclusion in the reality show. During a recent interview with Hip TV, Nelly asserted that the twins brought no remarkable contributions to the Big Brother house throughout their stay. She emphasized that their presence lacked substance and originality. “They didn’t bring anything noteworthy to the house,” Nelly stressed. She went on to claim that their family name – Mbadiwe – played a significant role in how they were perceived and treated by other housemates. According to her, the twins received unwarranted respect solely because of their surname. “Most housemates gave them more attention because of their name. That name alone made them a point of interest. But for me, it meant absolutely nothing,” Nelly declared. She further dismissed the notion that a famous surname should influence anyone’s standing in the Big Brother house, noting that such favoritism was misplaced. Nelly stated unequivocally that the Mbadiwe Twins should have exited the show as early as the first week, questioning their overall contribution to the game. “In all honesty, I didn’t see the purpose of their being there. I couldn’t understand what they were really doing in the house.” Though she acknowledged that the twins might have deserved to be part of the reality show in general, she believes Season 9 was not the right fit for them. “They might deserve to be on Big Brother at some point, but not in Season 9,” she clarified. Despite maintaining that she holds no personal grudge against the twins, Nelly admitted their actions and presence were deeply annoying to her. “I’ve got nothing against them personally, but they really got on my nerves. They were irritating,” she concluded.
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Rising Nigerian music star Ayra Starr has humorously declared herself the “first African” to take a bathroom selfie at the prestigious Met Gala, during a recent sit-down with Billboard. The Rush crooner opened up about the stories behind some of her most memorable photos, including a trending bathroom snapshot with American singer Coco Jones and fellow Nigerian artist Tems. In a playful tone, Ayra asserted that despite Tems also appearing in the picture, she considers herself the original African selfie queen of the Met Gala. “First African to take a bathroom selfie at the MET Gala, period!” she exclaimed, laughing. Ayra Starr made her grand debut at the 2025 Met Gala, hosted at the Metropolitan Museum of Art in New York City on May 5, 2025. She was among a powerful wave of African creatives who graced the event, joining internationally acclaimed figures like Afro-fusion sensation Burna Boy, Grammy-nominated singer Tems, South African pop star Tyla, award-winning author Chimamanda Ngozi Adichie, and fashion icon Swanky Jerry. Ayra’s attendance not only marked a milestone in her career but also contributed to the growing visibility and influence of African stars in global pop culture and high fashion.
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In a groundbreaking achievement for African music, Nigerian global music icon Ayodeji Ibrahim Balogun, popularly known as Wizkid, has officially crossed a remarkable milestone—accumulating over 9 billion streams on Spotify across all credits. This historic feat solidifies Wizkid’s global dominance in the music streaming industry, making him the very first African artist to ever reach 9 billion total streams on the Spotify platform. This includes both his solo releases and collaborations with international artists. One of the most significant contributors to this impressive number is “One Dance,” his international smash hit collaboration with Canadian rap star Drake and British singer Kyla. The track has garnered an astounding 3.7 billion streams on Spotify alone, placing it among the top 10 most-streamed songs in Spotify’s history. Moreover, “One Dance” earned a special place in history by being the first single ever to reach 1 billion streams on Spotify, earning Wizkid a spot in the Guinness World Records. This highlights not only the song’s global impact but also Wizkid’s influence on modern pop culture. Among his solo performances, the standout track remains “Essence,” featuring Nigerian breakout star Tems, which has achieved over 303 million streams on the platform. The song became an international anthem and contributed heavily to the global visibility of Afrobeats. While Wizkid continues to break records, American pop superstar Taylor Swift maintains her reign as the most streamed artist on Spotify, amassing a staggering 1.5 billion streams across her music catalog. This milestone reaffirms Wizkid’s place as a pioneer of African music on the global stage, further showcasing how Afrobeats has evolved into a worldwide phenomenon. His consistent chart-topping success and high-profile collaborations are inspiring a new generation of African musicians aiming to achieve global recognition. For Nigerian music enthusiasts and upcoming artists, this achievement serves as motivation that international success is attainable with dedication, artistry, and collaboration.
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Nigerian singer Sean Tizzle has emotionally honored the memory of his late mentor and music industry icon, Sound Sultan, who passed away in July 2021 after a battle with cancer. In a touching tribute shared via his official Instagram page, Sean Tizzle referred to Sound Sultan as a powerful influence in his life, describing him as more than just a mentor — a man who shaped both his career and character. Tizzle expressed deep regret over not telling Sultan, while he was still alive, how deeply he impacted his life and musical journey. Tizzle admitted that it took him several years to gather the courage and clarity to publicly honor Sound Sultan, confessing that he had struggled to find the right words that could truly express his appreciation. “I was afraid the words wouldn’t be enough,” he wrote. Recounting his early career, the “Sho Le” hitmaker recalled how Sound Sultan saw his potential long before he became known in the entertainment scene. According to Tizzle, Sultan recognized his talent at a time when the world hadn’t yet taken notice, and chose to invest in him — not just musically, but personally. Sean Tizzle went on to explain that the late music legend was instrumental not only in developing his artistry, but also in instilling core values such as humility, grace, and the importance of using one’s platform for more than just entertainment. Sound Sultan, he noted, was a man of selflessness who gave generously without expecting anything in return. Expressing his deep remorse, Sean Tizzle shared that he wished he had spoken these words to Sound Sultan directly, had embraced him tighter, and had expressed his gratitude in person. His heartfelt message concluded: “I wish I had said this earlier, to your face. I wish I had hugged you tighter. But now, I say it to the world: Thank you, Sound Sultan. I am because you were. I carry your spirit with me always.” The music community continues to mourn the loss of Sound Sultan, a figure who not only shaped the sounds of a generation but also touched lives with his kindness and wisdom.
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Renowned Nigerian entertainer and political figure, Bankole Wellington, popularly known as Banky W, has shared a moving tribute celebrating the incredible rise of TV host Ebuka Obi-Uchendu, whose transformation from anonymity to stardom has inspired many across Africa. In a reflective post on Instagram, Banky W highlighted Ebuka’s journey, noting that the celebrated host didn’t achieve his status through fame or privilege, but by demonstrating unshakable resilience and consistent hard work over time. Despite not emerging as the winner of the first season of Big Brother Nigeria (BBNaija)—where he finished in eighth position—Ebuka defied the odds to become one of the continent’s most admired media icons. “When you think of Ebuka, don’t just think fashion, fame, or fortune. Think resilience,” Banky W wrote.“He didn’t win the show, but he won in life.” He recounted how Ebuka started from humble beginnings, rising from a reality show contestant to a highly sought-after host of programs like “Rubbing Minds”, a columnist for national newspapers, and even earning a master’s degree—all while staying committed to his career, even when things were uncertain. Using a biblical metaphor, Banky W likened Ebuka’s journey to the miracle of turning water into wine, symbolizing how persistent dedication during the unseen years leads to visible breakthroughs. He emphasized that true success is not merely about talent or opportunity, but a blend of divine grace and personal grind—grace from God and effort from the individual. “Success takes grace and grind. The grace is from God. The grind is from you,” Banky W wrote, encouraging others to evaluate their own journeys and consistent efforts.
