Yung Miami Accuses Tyla of Stealing Her Song ‘Chanel’

American rapper Yung Miami, one-half of the City Girls duo, has made a bold accusation against South African singer Tyla, alleging that Tyla stole the concept of her unreleased song titled “Chanel.”

The controversy began after Tyla took to her social media pages on Thursday to tease her upcoming single, which she also titled “Chanel.” The snippet quickly caught the attention of fans worldwide — but it didn’t sit well with Yung Miami, who claimed she had previously shared her own track, bearing the same title, with the Grammy-winning South African star.

In a series of posts that have since gone viral, Yung Miami expressed her disappointment, asserting that Tyla allegedly took inspiration from her private recording and used it for her own project. The rapper insisted that she played her unreleased version of “Chanel” for Tyla, and the similarities between the two tracks were too close to be coincidental.

Although Tyla has not publicly responded to the allegations, the situation has ignited a heated debate on social media. Fans of both artists are divided — some defending Tyla’s originality, while others side with Yung Miami, demanding credit be given where due.

This accusation adds to a growing list of creative disputes in the music industry, where artists often face controversies involving similar melodies, hooks, or song titles. Given the global reach of both stars — Yung Miami from the United States and Tyla from South Africa — this particular situation highlights how cross-continental collaborations can sometimes lead to creative misunderstandings or copyright tension.

Regardless of how the matter unfolds, both Tyla and Yung Miami remain dominant figures in their respective genres. Yung Miami continues to make waves in American hip-hop through her solo releases and collaborations, while Tyla has solidified her place in the global Afro-pop scene after her breakout hit “Water.”

The alleged “Chanel” dispute may stir further conversation about transparency and intellectual property in the digital era, where unreleased music can easily circulate among artists and producers before its official debut.